Da Vinci and the Modern Female Portait Essay Example | Topics and Well Written Essays - 1750 words

Da Vinci and the Modern Female Portait - Essay Example Renaissance art portrayal is a naturalistic reflection of realities that is recent in terms of discovery, rather than just framed myths and gender-based constructions. Leonardo’s art portrayal was regarded as abnormal in social terms. He presented through art, a view of female sex, which was culturally abnormal in the patriarchy of his day. To them, a woman is an intelligent being, and therefore biologically equals half of human species. Earliest portraits preserved by Leonardo, referred to as Ginevra de’Benci, done in the late 1470s, puts forth a fundamentally new female age. It portrays a sitter posed in a three-quarter view and it engages the eye of the observer. Portraits done by Northern Renaissance painters indicates a preoccupation with realism and having a precise detail of physiognomy and the costume. This kind of approach is a characteristic of panels by the Flemish masters Rogier van der Weydan and Hans Memling (Victoria 100) High Middle Ages evolution of portraiture reached its crescendo in the fifteenth century. This was the period during which greatest masters of artistic illusionism begun to appear in Europe. Italian Renaissance painters discovered the use of textural properties of oil painting. Leonardo da Vinci was famous for his portraits that were life-like in their realism. He used to learn entirely from nature and science to make his paintings look real. He drew and took many notes from observation, since he believed that it is the basis of knowledge. Leonardo was among the first Italian Renaissance to use the three-quarter pose instead of the popular profile. His subjects had unique facial expressions that challenged viewers. The new technique he invented-chiaroscuro and sfumato, also brought his subjects to life (Patrick McDonnell 56) Rogier van der Weyden transcends the concept of naturalism formal or informal,